Sofie Hanegreefs is a documentary filmmaker and artist. Themes such as death, grief and transformation run like a thread through her work, rooted in deeply personal experience.
She explores what loss and change set in motion, and what new perspectives can emerge from them.
The Japanese philosophy of Kintsugi is an important source of inspiration. The fracture is not something that needs to be hidden, but part of a new whole. It is a way of looking that makes room for vulnerability, a different perspective and the beauty of imperfection.
Her artistic practice moves between film, audiovisual installations, performance and participatory projects. She is always looking for space for encounter and connection. Through her work, she aims to move, inspire wonder and set something in motion.

Christine Verheyden is a multidisciplinary artist, actress and archaeologist.
She explores how she can relate to the darker sides of life, grief, sadness and death, without passing judgement. She does not shy away from confrontation and always strives to create as sincere a relationship as possible with her audience.
Without shame, she gives the viewer a glimpse into her characters.
She explores the connection between archaeology and acting through To Act in Art with Active Art.
For her, the connection lies in storytelling, energy and the use of rituals.
At the heart of her work are the title of the work, the working method and the material.
She created her visual arts practice, the Art of Disappearance, in response to her research question:
"How can vulnerability be transformed into strength?"
The material and the story always serve the artwork. Her works take shape through individual performances, film, photography, sculpture...
The use of space and the details present in her visual language invite the viewer to direct their attention to the here and now.

Maïté Baillieul is a multidisciplinary artist, filmmaker and expressive arts therapist. Her practice encompasses drawing, writing, painting, photography, film, video and installation, moving between the tangible and the intangible, the unconscious and the spiritual.
Themes such as death, grief, love, time, emptiness, loss, mortality, (psychological) vulnerability and desire recur throughout her work. She approaches these themes in a philosophical and poetic way, at the intersection of the intimate, the personal and the socio-political.
Alongside her autonomous practice, she develops artistic projects in specific care contexts, where film becomes a shared space for attention, encounter, research and reflection.
She explores how film, through the sensory experience of cinematic time, can remind us of our own mortality, and how film and the camera can once again create space for existential themes, particularly death.
She is also a part-time lecturer at LUCA School of Arts.